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All three have even been released separately in (and I promise I’m not making this up) an ‘Anti-cheese’ edit, an effort to remove any extraneous material and re-dubbing some of the flimsier lines of dialogue (this version is no longer online, having been hit with a copyright claim – a constant enemy in this arena).Įven the odd Hollywood high-up has been getting in on the action: actor Topher Grace has created his own 85-minute version of episodes I, II and III, which has been screened only to a select few (again, to avoid legal issues). Some work on ‘improving’ elements from each film individually (much like The Phantom Edit), while others shed enough material to squeeze the entire triptych into a single 3-hour feature. Just entering the search terms ‘Prequel edit’ into the search bar brings up a variety of different cuts. The release and unrelenting online backlash against the prequels arrived just in time for the development of YouTube, creating a whole new niche. This project is now a lynchpin of Star Wars fandom, usually cited as the best way to watch the original films. Using a myriad of sources from the most recent Blu-rays to upscaled Laserdiscs, VHS copies, and more, Harmy has entirely removed George Lucas’ later digital additions and restored the original effects, in respect to those who worked tirelessly to create the Oscar-winning spectacle.
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Receiving vehement praise, it circulated on VHS, DVD and torrent sites around Hollywood circles in the early 2000s.Īpproaching the same films from a totally opposite direction is Harmy’s Despecialized Edition, a version of the classic trilogy that has been painstakingly morphed to resemble the theatrical releases as closely as possible. Nichols’ The Phantom Edit, a version of Episode I with substantially less screen-time devoted to Jar Jar Binks. The earliest and perhaps best known example is Mike J.
#Watch adywan star wars revisited download series#
However, some fans hoping to understand the pre-reshoot form of Rogue One were left disappointed by a lack of deleted scenes, making anything close to a speculative assembly impossible.įeature-length fan edits of the Star Wars series have become a staple of internet culture. Everything from re-scores (replacing Michael Giacchino’s music with a more traditional John Williams cue) to splicing the ending with the opening of A New Hope has ensured that the most recent entry in the series has fallen in line with the rest as a key piece of interactive media, ripe for manipulation. It’s barely been a month since Rogue One: A Star Wars Story hit the home viewing market and already a wealth of fan-edited content has made the jump to YouTube, Vimeo, and other sites. We’re not encouraging piracy, or copyright theft here, as the following article, we feel, makes clear. We do need to point that out at the start.
Legal note: fan edits aren’t technically legal.
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